Dancing on Common Ground

Posted on August 12th, 2018
By Jenna Belhumeur and Madison Margolin for Tablet Magazine 


Psytrance music bridges the divide between secular and religious Jews in Israel


Shahar Zirkin had been driving in circles on a dark, wooded road outside Haifa, until finally, he spotted a piece of toilet paper strung delicately among the branches of a tree. He turned left, driving slowly, looking for more toilet paper “signs” until he could hear thick, subbass frequencies, punctuated with synthesized audio effects in the distance. To the untrained ear, it might have sounded like the soundtrack to an intergalactic space journey; to Zirkin, a DJ-cum-biochemist and founder of Israel’s annual Doof music festival, it was the familiar sound of psytrance—a subgenre of electronic music. As he approached, the beats reverberated through the woods from the underground, neon-lit party, reminiscent of festivals in the Negev desert or in forests up north, or even on the Indian beaches of Goa.

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How Israel Became a Television Powerhouse

Posted on August 6th, 2018
By  HANNAH BROWN for Commentary


The unlikely rise of a pop-culture leader


You don’t often see perfectly chilled martinis served at conferences in Israel, but the TLV Formats Conference was an event that was out of the ordinary. It was held for the second time in September 2017, and hundreds of buyers from television networks around the world came to Tel Aviv to snatch up new Israeli shows—scrambling to get ahead of the huge international TV convention called MIPCOM the following month in Cannes. Over the past decade, Israel has become one of the world’s most prolific exporters of “formats”—industry jargon for concepts and programs. 

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“Jat Mahibathi” (“My Love is Coming”)

Posted on July 29th, 2018
From American Sephardi Federation


Members of the Israeli World Music sensation, Yemen Blues, including Yemenite-Israeli vocalist Ravid Kahlani, visited an Arab coffee house in Jerusalem’s Old City to perform “Jat Mahibathi” (“My Love is Coming”) a song from their first album, Yemen Blues.  

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